my mind on books

New Waves in Philosophy of Mind, ed. by Mark Sprevak and Jesper Kallestrup (Palgrave Macmillan, 2014)

(amazon.co.uk)

Book description from the publisher:

Philosophy of mind is one of the core disciplines in philosophy. The questions that it deals with are profound, vexed and intriguing. This volume of 15 new cutting-edge essays gives young researchers a chance to stir up new ideas. The essays cover a wide range of topics, including the nature of consciousness, cognition, and action. A common theme in the essays is that the future of philosophy of mind lies in judicious use of resources from related fields, including epistemology, metaphysics, philosophy of language, philosophy of science, and cognitive neuroscience. Approaches that the researchers explore in this volume range from the use of armchair conceptual analysis to brain scanning techniques.

Google Books preview:

See also: Online conference at Google Groups (papers & discussion)

Mental Biology: The New Science of How the Brain and Mind Relate by W.R. Klemm (Prometheus, 2014)

(kindle ed.), (amazon.co.uk), (UK kindle ed.)

Book description from the publisher:

A leading neuroscientist offers the latest research and many new ideas on the connections between brain circuitry and conscious experience.

How the mysterious three-pound organ in our heads creates the rich array of human mental experience, including the sense of self and consciousness, is one of the great challenges of 21st-century science. Veteran neuroscientist W. R. Klemm presents the latest research findings on this elusive brain-mind connection in a lucidly presented, accessible, and engaging narrative.

The author focuses on how mind emerges from nerve-impulse patterns in the densely-packed neural circuits that make up most of the brain, suggesting that conscious mind can be viewed as a sort of neural-activity-based avatar. As an entity in its own right, mind on the conscious level can have significant independent action, shaping the brain that sustains it through its plans, goals, interests, and interactions with the world. Thus, in a very literal sense, we become what we think.

Against researchers who argue that conscious mind is merely a passive observer and free will an illusion, the author presents evidence showing that mental creativity, freedom to act, and personal responsibility are very real. He also delves into the role of dream sleep in both animals and humans, and explains the brain-based differences between nonconscious, unconscious, and conscious minds.

Written in a jargon-free style understandable to the lay reader, this is a fascinating synthesis of recent neuroscience and intriguing hypotheses.

Google Books preview:

See also: Author’s website

Metaphor by Denis Donoghue (Harvard University Press, 2014)

(amazon.co.uk)

Book description from the publisher:

Denis Donoghue turns his attention to the practice of metaphor and to its lesser cousins, simile, metonym, and synecdoche. Metaphor (“a carrying or bearing across”) supposes that an ordinary word could have been used in a statement but hasn’t been. Instead, something else, something unexpected, appears. The point of a metaphor is to enrich the reader’s experience by bringing different associations to mind. The force of a good metaphor is to give something a different life, a new life. The essential character of metaphor, Donoghue says, is prophetic. Metaphors intend to change the world by changing our sense of it.

At the center of Donoghue’s study is the idea that metaphor permits the greatest freedom in the use of language because it exempts language from the local duties of reference and denotation. Metaphors conspire with the mind in its enjoyment of freedom. Metaphor celebrates imaginative life par excellence, from Donoghue’s musings on Aquinas’ Latin hymns, interspersed with autobiographical reflection, to his agile and perceptive readings of Wallace Stevens.

When Donoghue surveys the history of metaphor and resistance to it, going back to Aristotle and forward to George Lakoff, he is a sly, cogent, and persuasive companion. He also addresses the question of whether or not metaphors can ever truly die. Reflected on every page of Metaphor are the accumulated wisdom of decades of reading and a sheer love of language and life.

Neurocomic by Hana Roš, illustrated by Matteo Farinella (Nobrow Press, 2014)

(amazon.co.uk)

Book description from the publisher:

Do you know what your brain is made of? How does memory function? What is a neuron and how does it work? For that matter what’s a comic? And in the words of Lewis Carroll’s famous caterpillar: “Who are you?”

Neurocomic is a journey through the human brain: a place of neuron forests, memory caves, and castles of deception. Along the way, you’ll encounter Boschean beasts, giant squid, guitar-playing sea slugs, and the great pioneers of neuroscience. Hana Roš and Matteo Farinella provide an insight into the most complex thing in the universe.

• Produced in association with the Wellcome Trust, one of the world’s largest medical charities
• A superb introduction to the complexities of the brain for the layman
• High production values, FSC paper stock, and foil embossed cover

See also: Book website, post at brainpickings.org (ht!)

Seven Modes of Uncertainty by C. Namwali Serpell (Harvard University Press, 2014)

(amazon.co.uk)

Book description from the publisher:

Literature is rife with uncertainty. Literature is good for us. These two ideas about reading literature are often taken for granted. But what is the relationship between literature’s capacity to unsettle, perplex, and bewilder us, and literature’s ethical value? To revive this question, C. Namwali Serpell proposes a return to William Empson’s groundbreaking work, Seven Types of Ambiguity (1930), which contends that literary uncertainty is crucial to ethics because it pushes us beyond the limits of our own experience.

Taking as case studies experimental novels by Thomas Pynchon, Toni Morrison, Bret Easton Ellis, Ian McEwan, Elliot Perlman, Tom McCarthy, and Jonathan Safran Foer, Serpell suggests that literary uncertainty emerges from the reader’s shifting responses to structures of conflicting information. A number of these novels employ a structure of mutual exclusion, which presents opposed explanations for the same events. Some use a structure of multiplicity, which presents different perspectives regarding events or characters. The structure of repetition in other texts destabilizes the continuity of events and frustrates our ability to follow the story.

To explain how these structures produce uncertainty, Serpell borrows from cognitive psychology the concept of affordance, which describes an object’s or environment’s potential uses. Moving through these narrative structures affords various ongoing modes of uncertainty, which in turn afford ethical experiences both positive and negative. At the crossroads of recent critical turns to literary form, reading practices, and ethics, Seven Modes of Uncertainty offers a new phenomenology of how we read uncertainty now.